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Sound design

Dramaturgical sound for theatre, dance, film and hybrid performance — shaped around story, space, bodies and the live moment. Recording You Can Call Me Francis around 2011 opened up a lasting interest in contemporary dance and its creative possibilities.

  • Sound systems & sonic dramaturgy
  • QLab programming
  • Multichannel playback
  • Audio editing & post-production
Hear My HandsOriginal music and sound design with choreographer Karen Gleeson. In the early concept piece, rhythms came from Morse-code translations of messages contributed by Deaf collaborators. Recorded voices were cut up and reordered to uncover new meanings. This live excerpt documents that early work at Mermaid Arts Centre.

Music production

Artist-led recording, arranging, mixing and production — from first take to finished record at Big Garden Recording and on location.

  • Recording & engineering
  • Production & arrangement
  • Mixing
  • Studio & location sessions
The Cujo FamilyRecording, production and mixing for The Cujo Family’s album, from the first takes to the final mix. The aim was to keep the energy of the band playing together and the character of each musician.Roger DoyleEóin’s recordings of Roger Doyle span concert performances, album releases and film. At Mermaid Arts Centre he recorded ‘Enniode’, later released on Homemade Ivory Dreams, and ‘For Ébha’, which appears on Grandfather Clock. Recordings made over several years also feature in Brian Lally’s The Curious Works of Roger Doyle, including the film’s closing performance at St Patrick’s Cathedral.

Composition

Original music for theatre, dance and screen — developed alongside choreography, spoken material and the practical demands of performance.

  • Original scores
  • Electronic & acoustic writing
  • Arrangement
  • Music editing & integration
You Dig?An original song written for We Don’t Know What’s Buried Here by Grace Dyas / THEATREclub in 2018. Eóin was also sound designer on the production; this song was not used in the final show.

Live sound

Detailed, musical engineering for bands, orchestras, touring productions and ambitious contemporary performance at every scale.

  • FOH & live mix
  • Touring systems
  • Bands & orchestras
  • Technical & production management
Chora · LuailLive mix for Luail’s Chora, touring opera houses across Ireland with the Irish Chamber Orchestra, led by Katherine Hunka. Every instrument was individually miked, with the mix shaped to each room’s acoustics while preserving the orchestra’s natural balance and detail.
Cover of Mermaid 10, live music recorded from 2002 to 2012Play on Bandcamp

MERMAID 10

An eclectic document from ten years of live music at Mermaid Arts Centre.

Recorded live and mixed by Eóin; produced by Eóin and Mermaid Arts Centre. Featuring Roger Doyle, Niwel Tsumbu, Vyvienne Long, Redmond O’Toole and more.

Read Niall Toner’s review in The Journal of Music